Found this image. I'm sure its been shared before but it's always a fun time looking at Julie.
I love the bottom left image and the one above that.
Julie Newmar Contact Sheet Photo
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Julie Newmar Contact Sheet Photo
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- Ben Bentley
- Moderator
- Posts: 1282
- Joined: Fri Aug 17, 2012 2:31 pm
Re: Julie Newmar Contact Sheet Photo
I might be biased given what I do for a living, but I have always loved contact sheets as they tell the story of the shoot. We get so used to seeing the final selected image(s) that seeing the contact sheet almost gives you a sense of "being there".
Re: Julie Newmar Contact Sheet Photo
'I've got it--I'll pose for a contact sheet.'
'I thought Siren was perfect for Joan.'--Stanley Ralph Ross, writer of 'The Wail of the Siren'
My hobbies include gazing at the Siren and doing her bidding, evil or otherwise.
'She had a devastating, hypnotic effect on all the men.'--A schoolmate describing Joan Collins at age 17
My hobbies include gazing at the Siren and doing her bidding, evil or otherwise.
'She had a devastating, hypnotic effect on all the men.'--A schoolmate describing Joan Collins at age 17
Re: Julie Newmar Contact Sheet Photo
"At that age all they are interested in is contact sheets and hair dryers."
dell
- Jimmy L. 66
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- Joined: Mon Nov 24, 2014 5:45 pm
Re: Julie Newmar Contact Sheet Photo
Julie looks young in these. Are these teset shots?
Re: Julie Newmar Contact Sheet Photo
'I thought Siren was perfect for Joan.'--Stanley Ralph Ross, writer of 'The Wail of the Siren'
My hobbies include gazing at the Siren and doing her bidding, evil or otherwise.
'She had a devastating, hypnotic effect on all the men.'--A schoolmate describing Joan Collins at age 17
My hobbies include gazing at the Siren and doing her bidding, evil or otherwise.
'She had a devastating, hypnotic effect on all the men.'--A schoolmate describing Joan Collins at age 17
- Ben Bentley
- Moderator
- Posts: 1282
- Joined: Fri Aug 17, 2012 2:31 pm
Re: Julie Newmar Contact Sheet Photo
I totally get where you're coming from Jimbo, but these are from S2. Some of these frames are more over-exposed than others (which combined with Julie's complexion) creates an illusion of her being even fresher faced/younger.
The handwritten reference on each frame refers to the Production number and then the shot number, in this case #9737 - "The Cat's Meow/The Bat's Kow Tow"