This was another fun podcast, and I thought Al contributed some interesting points. I had never noticed the way Yvonne is smiling while looking at Cesar in that scene. If you took a screengrab of that shot, you would think Undine and Barbara Gordon were both Joker's molls. Again, this is an example of the mediocre direction of Oscar Rudolph, a sitcom director who wasn't as talented as some of the season 1 helmers who went on to bigger things.
Or maybe they cut out this scene:
RIPTIDE and WIPEOUT seize BARBARA GORDON.
BARBARA: Unhand me. I'll call my ex-husband Penguin.
JOKER: Put Miss Gordon in the Affection and Adoration Transferometer. AHHAHAHAHAHAHAHAHAHAHAH
(Five minutes later)
BARBARA: (impressed) I've never dated a man with a pasty white face and green hair, but you really pull off that look, Joker.
Piggybacking on another of Al's points, concerning the woodenness of Ronnie Knox's (Skip) acting, I'm wondering if Joker's surfing gizmo also drained some of his acting ability. Collateral damage, if you will.
Al also noticed something I never did, even though I remembered both scenes. It's absurd for Hoffman to have Joker think that 'finishing first' would win the surfing contest when the rules were explained to him in the script. As the saying goes, Joker is crazy, but not stupid.
Paul made a good point about Batman's 'let's follow them and see where they go' line about the tracks after Robin already had established where the tracks ended. To me, that's a case of Hoffman trying to do Sempleian dialogue and failing miserably. I think it's also worth noting that Hoffman is the common thread in the season 3 episodes you guys talked about in which a villain thinks taking over one small segment of society somehow will lead to world domination.
Consider that Hoffman wrote both this ep and the Riddler boxing one, and it's more than likely he rewrote Dwight Taylor's Louie script. You'll remember that the flower children weren't a part of Taylor's original concept. Hoffman wasn't good at plotting and he just never got the right feel for the show.
I would disagree with Al about the amount of navels on Star Trek. I'm not a Trekkie/Trekker but I only recall one episode with a woman showing her navel, Diana Ewing in The Cloud Minders. I'll try to keep it PG here, but it seemed to me Trek's approach was to show a lot of skin on the back and sides as opposed to in the front. I guess they felt that was easier to get past the censors.
Also, kind of a tangent, but Al mentioned how Preminger is his favorite Mr. Freeze (mine too) and noted, as Tim and Paul had when they did the arc, how repetitive the Freeze/Miss Iceland scenes were. I'd note that only three weeks before that arc, Dee Hartford (Miss Iceland) had guested on The Time Tunnel as Helen of Troy and her scenes with her captor played out much the same as the ones with Freeze. 'You will love me'/'I will never love you,' etc.
Interestingly, both shows were Fox and Hartford also did two eps of Lost in Space in 1966-67, another Fox production, so perhaps it was a package deal of some sort for her.
'I thought Siren was perfect for Joan.'--Stanley Ralph Ross, writer of 'The Wail of the Siren'
My hobbies include gazing at the Siren and doing her bidding, evil or otherwise.
'She had a devastating, hypnotic effect on all the men.'--A schoolmate describing Joan Collins at age 17