BilltheBat wrote: The disdain villains had for "square" citizens make the mask or costumes something akin to tattoos or body modification in the world of the show- the reasons run deep in the wearer's sense of identity rather than serving a practical function.
Excellent points, Bill. To broaden this discussion to costumes, as you did, gives me a chance to introduce Siren to the conversation. (Of course, Joan never wore a mask as Siren, thank goodness!)
Riddler Fan wrote:I doubt the writers ever went so deep into their villain's personas.
Not usually, but you'd be surprised. There's a line in the final draft of Wail of the Siren in which Siren actually does reference ditching her 'respectable' civilian clothes for her Siren goddess costume. Unfortunately, the scene was filmed and then cut out for the sake of time, I would assume.
In the scene, Siren is in her guise as world-famous chanteuse Lorelei Circe, after a concert.
http://batgirlbat-trap.com/omake/sit5bn2.jpg
Joan Collins actualy is wearing her own clothes in this scene. Here's the stage direction and dialogue:
***
LORELEI
I yearn to shed Lorelei Circe's--(indicates her clothes)--infernal cloak of respectability. And get back to The Siren's--(smiles wickedly)--monstrous master plan.
She EXITS through a nearby drape, obviously preparing to do just this.
***
(When she reappeared, she was dressed in the Siren's silver Greek goddess gown.)
So the obvious implication here is that to fully become her criminal alter ego, Lorelei Circe needed to change into her criminal costume. Civilian clothes simply would not do.
'I thought Siren was perfect for Joan.'--Stanley Ralph Ross, writer of 'The Wail of the Siren'
My hobbies include gazing at the Siren and doing her bidding, evil or otherwise.
'She had a devastating, hypnotic effect on all the men.'--A schoolmate describing Joan Collins at age 17